The deal with tempura is that you have to get the batter right. At this stage in the chain of command at my restaurant, I've progressed to fry cook (again, dammit, I've gone through this stage in America so many times), at least for the cheaper lunch sets. The position is a bit more elite in Japan, anyway. My nemesis has turned out to be 海老, aka shrimp. People in various countries expect a certain aesthetic from their food, whether they realize it or not. Americans usually expect their shrimp to be curled up, the way shrimp do naturally. Japanese expect theirs to be stretched out straight, with the tail fanned, and when deep fried, to have plenty of batter bitlets sticking out of it. These are called 花 (hana; flower), because it looks like the shrimp is 'blooming'.
I'm lucky that we're using pre-mixed tempura flour and not making it from scratch, or this would be even harder; as it is, we have to go through a lengthy process of making cuts in the bottom of each shrimp, where the tendon is, and pressing them out to make them flat. The batter must be the correct mix, not too thick or the tempura will turn out cakey and not too thin or you can see the shrimp's skin through the batter (another no-no). Even with all the prep, the shrimp tend to curl in the fryer so you have to watch that, and squirting extra batter on top to form the right amount and texture of hana is the most irritating and difficult part. The shrimp are always served back-forward, so if the shrimp turned in the fryer and the hana formed on the stomach, it means nothing and the presentation is still bad. I'm gradually getting better, but I wonder where all these visual rules came from?
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